John zorn - kristallnacht - Kristallnacht (album) - Wikipedia


John Zorn appears on over 400 recordings as a composer or performer. This is a selection of recordings released under his name, bands he was/is part of, collaborations with other musicians, and significant albums to which he has contributed. The year indicates when the album was first released and any subsequent years if the following release included additional material.

The deportees were taken from their homes to railway stations and were put on trains to the Polish border, where Polish border guards sent them back over the river into Germany. This stalemate continued for days in the pouring rain, with the Jews marching without food or shelter between the borders. Four thousand were granted entry into Poland , but the remaining 8,000 were forced to stay at the border. They waited there in harsh conditions to be allowed to enter Poland. A British newspaper told its readers that hundreds "are reported to be lying about, penniless and deserted, in little villages along the frontier near where they had been driven out by the Gestapo and left." [21] Conditions in the refugee camps "were so bad that some actually tried to escape back into Germany and were shot", recalled a British woman who was sent to help those who had been expelled. [22]

This release documents an intense musical representation of Kristallnacht, or the Night of Broken Glass, a coordinated attack on Jews throughout the German Reich that occurred on November 9, 1938, during which Nazis, SS members, and Hitler youth broke into Jewish homes and businesses, assaulting the people and their property. The official German report tallied 7,500 businesses destroyed, 267 synagogues burned (with 177 totally destroyed), and 91 Jews killed. John Zorn has created a musical work that powerfully represents the different stages of this historical event. "Shtetl (Ghetto Life)" is beautiful yet apprehensive klezmer, interspersed with sound bites of German rallies and speeches that become more frequent, increasingly crowding the life from the music. This segues into "Never Again," which, Zorn warns in the liner notes, "contains high frequency extremes at the limits of human hearing and beyond, which may cause nausea, headaches and ringing in the ears." While nearly unbearable, it is a fitting sound representation of Kristallnacht, as thousands of layers of shattering glass assault the ears. "Never Again" is both effective and affecting, if you can listen. This onslaught is followed by the loud silence and emptiness of "Gahelet (Embers)," a walk through the immediate aftermath of wind, darkness, and destruction. Alley echoes are heard as sound is overwhelmed by a dread and horror beyond expressing, and no words can contain what might begin to form in the midst of shock. This is a heavy silence. Strings have gone haggard on the next composition, and from this point the album becomes less literal and explicit, moving away from poignancy and focus into more chaos. Zorn 's forceful undertaking is realized through the expert and passionate musicianship of violinist Mark Feldman , guitarist Marc Ribot , keyboardist Anthony Coleman , bassist Mark Dresser , and percussionist William Winant , as well as guest trumpeter Frank London and clarinetist David Krakauer .

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John Zorn - KristallnachtJohn Zorn - KristallnachtJohn Zorn - KristallnachtJohn Zorn - Kristallnacht

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